△.骨传声法在调钢琴的标准音a~1时,调律师常常要一心三用,同时进行着三个方面的工作——耳听音叉、一只手按琴键、另一只手操作调音扳手。常规的方法是:先用手敲响音叉放在耳边听,然后赶快放下音叉去按键或握扳手。这不但显得手忙脚乱;而且影响对音叉余音的捕捉和记忆,干扰音叉音与琴弦音之间的细微比较。为了解决这个问题,可在调a~1键的琴弦时,利用医学上“骨传声”的原理,把敲响的音叉不去放在耳边听,而是用牙齿咬住音叉 △. Bone sound transfer method in the standard tone piano a ~ 1, transfer lawyers often have to be single-minded, while carrying out three aspects of the work - ear tuning fork, one hand press the keyboard, the other hand operation Adjustable wrench. The usual method is: first ring the tuning fork with your hand and listen to it, and then quickly put down the fork to the key or hold the wrench. This not only seemed to be in a hurry, but it also affected the capture and memory of the tuning fork reverb, interrupting the subtle comparisons between the tuning fork and the strings. In order to solve this problem, you can tune a ~ 1 key strings, the use of medical “bone sound” principle, the ringing fork not to listen to the ear, but with the teeth bite fork