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不同于宋代文人的家国天下、固执清高,明代的文人画家更加生活化、真实化,也更加“接地气”。他们将自己对于美人的喜爱之情在绘画作品中表达出来,也由此,仕女画终于走出低落,重新兴盛。而另一方面,明代商品经济开始萌芽,市民阶层兴起,社会风俗改变,整体风尚趋于世俗化、生活化,仕女画也由唐代的贵族化向平民化转变。经历了乏善可陈的数百年,明朝仕女题材一跃进入人们的视线焦点,高手画家更是比比皆是。早在明朝初期,
Different from the Song Dynasty literati home country, stubborn high, the Ming Dynasty literati painter more life, realism, but also more “ground gas ”. They expressed their favorite love of the beauty in the paintings, and finally the beauty of the ladies finally came out of depression and re-flourished. On the other hand, the commodity economy in the Ming Dynasty began to sprout, the rise of the citizen class, the change of social customs, the trend of the overall trend of secularization and life, and the transformation of the ladies’ painting from the aristocracy to the common people in the Tang Dynasty. Has experienced a hundred years of scarcity, the Ming Dynasty ladies theme jumped into people’s focus, master painter is abound. As early as the early Ming Dynasty,