论文部分内容阅读
京剧电视剧《醒醉记》是出很成功的好戏,既发挥了传统戏的特点,又紧密地结合观众,做到了内容与形式的统一,电视与戏曲的自然结合。 戏曲的特点不仅是它凝聚了一套艺术化的程式,还具有独特的创作风格,如浪漫主义的性格,通过夸张的手法,喜剧的手法,跨时空的手法……表现出来。《醒醉记》将宰相房玄龄塑造为一个既忠心耿耿又胆小谨慎的人物。长孙皇后利用了他这特点将他骗醉后,好让他大胆地给唐太宗提意见。这在生活中几乎是不可能的,但在戏中偏偏可能,而且非常有趣。这正是戏曲的特点之一。 房玄龄酒醒后产生了后怕,忙问,我醉后说了些什么,太监说:“你倒是没胡说,可你酒醉后说的那些话,醒着的人是不敢说。”这画龙点睛之笔,使主题得到了延伸。
Beijing opera drama “wake up drunkard” is a very successful good show, both play the characteristics of traditional drama, but also closely integrated with the audience, to achieve the unity of content and form, the natural combination of television and opera. The characteristic of opera is not only that it condenses a set of artistic program, but also has a unique creative style, such as romantic character, by means of exaggeration, comedy and cross-space techniques. “Awake drunk mind” will be Prime Minister Fang Xuanling shaped as both a loyal and timid and cautious person. Sun Empress used this feature to deceive him, so that he boldly to the Emperor Taizong advice. This is almost impossible in life, but in the play it is possible and very interesting. This is one of the characteristics of opera. Fang Xuanling woke up after the scared, busy asked, what did I say after drunk, eunuch said: "You do not talk nonsense, but you drunk after saying those words awakened people are afraid to say. This finishing touch, so that the theme has been extended.