回顾钢琴音乐的发展历程,无数作曲家和演奏家在音乐创作手法、风格融合方面进行了积极而艰辛的探索。随着我国钢琴艺术研究者们对钢琴音乐的不断归纳、整理及尝试,我国对西方钢琴音乐文化的研究逐渐系统和深入。据了解,有关钢琴艺术史论的著作绝大多数专注于对西方钢琴音乐文化的论述和分析,而对流派、风格并没有翔实地归纳和比较,也没有将其融入中西钢琴音乐文化整体历史中进行研究。在这种文化浪潮中,胡千红所著的《钢琴音乐流派与风格特 Recalling the development of piano music, numerous composers and performers in the music creation techniques, style integration has conducted a positive and difficult exploration. With the piano artists in our country continue to summarize and arrange the piano music, our country gradually and systematically studies the western piano music culture. It is understood that the vast majority of works on the history of piano art devoted to the discussion and analysis of the Western piano music culture, but the genre, style and not conclusively summarized and compared, nor integrated into the overall history of Chinese and Western piano music culture research. In this cultural wave, Hu Qianhong’s "piano music genre and style of special