《辋川集》为王维栖隐辋川别业期间所创作的一组篇什,凡二十首。自李唐以降,右丞《辋川集》诸作以其剔透玲珑的山水书写、“名言两忘,色相俱泯”的幽微意趣,获得了无数文士的关注。作为深受佛教义学思想影响的诗人,王维创作《辋川集》时,常有意识地撷取一系列具有特定意义的意象,凭借自己的澄思妙虑,将微妙甚深之佛旨寄寓于有形之景物中。本文仅以备列于其中的《木兰柴》一诗为例,论述隐括于诗歌自然之美表层下的,主要有“诸法无常”的缘起论思想与“语无背触,甜彻中边”之中观思想。 “Wang Chuanjiu” Wang Weiqi hidden Wangchuan other industry during the creation of a group of articles, where twenty. Since the Tang Dynasty to drop, the right prime minister, “Wang Chuan set” all the works for its exquisite landscape painting, “fame and fortune, ” all the little interest, won the attention of countless scribes. As a poet deeply influenced by the thought of Buddhist scholarship, Wang Wei often captures a series of images with special significance consciously when he creates “Wang Chuanjiu”. By virtue of his thought and thought, Wang Wei possesses the subtle and profound motto In the visible scene. This article only takes the poem “Mulan Chai” which is listed in it as an example to discuss that the marginalism thought and Toru middle "concept of thinking.