论文部分内容阅读
在五三年至七九年的二十七年教学工作中,我曾经是素描科学论者,其知能结构是以整体的观察和表现方法,认识和反映客观物体的视觉规律。但常常有这样的事情,按照自己的“感觉”作画,在某些方面不符合客观的规律,可是具有感人的活力,这时的心情是快活的,后来根据客观的规律加以修整,动人的“感觉”被破坏了……在无数次的伤心之后,领悟到客观规律和这种“感觉”
In the 27-year teaching work from 1993 to 1979, I used to be a sketch science commentator whose knowledge structure is based on holistic observation and representation to recognize and reflect the visual laws of objective objects. However, there are often such things as painting in accordance with their own “feeling” and in some ways not in conformity with the objective law, but with touching vitality. At that time, the mood is cheerful, and then it is trimmed according to objective laws. The moving “ Feeling ”destroyed ... ... After numerous sadness, I realized that objective laws and this“ feeling ”