王安忆的短篇小说《黑弄堂》(发表于《人民文学》2008年第4期),可以说是其创作道路上成长变化的又一个见证。纵观王安忆的创作,从早期的“三恋”到广受好评的《长恨歌》、《我爱比尔》、《妹头》等,架构作品的方式在程度上尽管不尽相同,却并未离开以故事推进情节、塑造刻画人物。后来这种意识似乎越来越淡,尤其是《启蒙时代》、《红光》等,作者的笔 Wang Anyi’s short story “Black Alley” (published in “People’s Literature”, 2008, No.4) can be said to be another testimony of the growth and change on the creative path. Throughout the creation of Wang Anyi, from the early “Love of Three Love ” to the acclaimed “Everlasting Regret”, “I love Bill,” “sister” and so on, in varying degrees, Do not leave the story to promote the plot, portray characters. Later, this awareness seems to be more and more light, especially the “Enlightenment”, “red” and so on, the author’s pen