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从晚明以来,人们多以嘉靖前后为界,把明散曲发展史分为前后两期;或再将“前期”一分为二,构成前、中、后三期;这两种划分都较粗略,难以清晰地揭示明散曲发展演变的历史脉络。作者在进行明散曲作家个案和群体研究的基础上,考察明代社会文化、时代思潮等相关因素,认为明散曲的发展演变可分为过渡期、低落期、复兴期、鼎盛期、继盛期等五个时期,并论述了各个时期的阶段性特征,以及这样划段分期的理由和意义。
Since the late Ming dynasty, people mostly divided the history of Ming Dynasty into two periods before and after the Jiajing period, or divided the “early period” into two periods to form the first, the second and the third periods; Roughly, it is difficult to reveal clearly the historical context of the development and evolution of Ming Dynasty. Based on the case studies and group studies of Ming Sanqu writers, the author examines the related factors such as the social culture in the Ming Dynasty and the trend of the times. He believes that the development and evolution of Ming Dynasty’s Songs can be divided into transition period, low period, revival period, peak period, Five periods, and discusses the stage characteristics of each period, as well as the reasons and significance of such stages.