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八十年代中期,当我国乡镇企业在求发展时,北京的王建提出了世界大循环理论。从而使乡镇企业寻到了一条发展的捷径。乡镇企业只有把市场打到国际市场中去,国家才能解决这个本来只由国家内部担负的大包袱。可见只有不搞封闭,成为外向型经济,才能使一滩死水变活,使人与物得到充分显现其价值的机会,乡镇企业如此,我国的戏曲事业的振兴腾飞亦是如此。前些年我们一直争论探讨戏曲不景气的现象,由于没有认清大市场在发展中的作用,所以一直把眼光仅仅的局限在戏曲艺术形式本身的一些问题上,殊不知戏曲大市场问题得到了解决,戏曲得到了充分显现其价值的同时,戏曲艺术本身也必然与外界市场得到适当调整,戏曲才能得到真正的发展。
In the mid-1980s, when China's township and village enterprises were seeking development, Wang Jian in Beijing proposed the theory of the world's great circulation. So that township enterprises found a shortcut to development. Only when the township and village enterprises hit the market in the international market can the state solve the big burden originally borne only by the state. Therefore, we can see that only by not closing down and becoming an export-oriented economy will we be able to revitalize a beach and make people and things fully realize their value. So do the township and village enterprises, and so are the revitalization of our country's drama industry. In previous years, we have been debating the phenomenon of drama downturn. Without a clear understanding of the role of the big market in development, we have been limited to some problems in the art form itself. We do not know that the problem of drama big market has been solved At the same time that the drama has been fully revealed its value, the art of opera itself must be appropriately adjusted with the outside world, so that the drama can be truly developed.