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乔伊斯长篇小说《尤利西斯》、《为芬尼根守灵》和《艺术家年轻时的写照》的结构参与了文化意义的制造与再造。在《尤利西斯》中,数字“3”可谓乔伊斯设的一个谜,它巧妙地暗示出《尤利西斯》和《奥德赛》之间的互文性;在《为芬尼根守灵》中,4大部分和4个主要角色对应着维科有关人类历史的“过程和再过程”的4个阶段,这种对应使作品的艺术性与哲理性融为一体;正如《诗篇》仿效“摩西五经”分为5卷一样,《艺术家年轻时的写照》也效法“律法书”分为5部分,以表现乔伊斯对其所献身的神圣的艺术事业的崇敬之情。乔伊斯小说的结构不仅用于展开情节和塑造人物,也用于揭示主题,它暗示出现代人那自由的、开放的心灵,表现了现代主义艺术家对人所特有的性质的洞察。
The structure of Joyce’s novel Ulysses, The Fulfillment of Finnigan and The portrayal of the artist when he was a young are involved in the manufacture and re-creation of cultural significance. In Ulysses, the number “3” is a mystery set by Joyce, which cleverly suggests the intertextuality between “Ulysses” and “Odyssey.” In “ Among the four main characters in the Nepalese spirit, the four main characters correspond to the four stages of Veken’s ”process and re-process“ of human history, which correspond to the artistic and philosophical integration of the work. Just as in The Psalms follow the same pattern divided into five volumes by the Torah, and the ”portrayal of the artist when he was young" also follows. The Torah is divided into five parts to show the sacred art that Joyce dedicated to him Business reverence. The structure of Joyce’s novels is not only used for plotting and shaping figures, but also for revealing the theme. It implies that the free and open mind of the modern generation shows the modernist artist’s insight into the peculiar nature of man.