论文部分内容阅读
安徽省徽剧团新编的历史剧《吕布与貂蝉》享誉澳门、东瀛之后,在北京作了短暂的汇报演出又受到广大观众与评论家的盛赞。该剧是继《水池七军》、《贵妃醉酒》、《白蛇传》、《临江会》等剧目之后徽剧艺术从内容到形式上的一次全方位的创新,它的意义已经超过剧目本身,其经验是应该加以认真总结的。 古老剧种如何在新的形势下,存在与发展?笔者以为除其他种种因素需考虑之外,结合本剧种特点,全面创新、树立精品意识,应是当务之急。纵观近年来古老剧种的新创剧目并不少,但是,能保留下来,且为观众认可的精品有几?为何诸多新作如同昙花一现?究其根本原因,是新创剧目的选材不能吻合该剧种的气韵、特征,不能充分展现其自身独具的艺术魅力,所以,良好的初衷与演出效果每每背离。为此,笔者十分佩服安徽省文化界的领导与策划者,近年来为首都观众送来的两台新剧目:一为黄梅戏《红楼梦》,一为徽剧《吕布与貂蝉》。
The historical drama “Lv Bu and Diao Chan” newly compiled by Anhui Provincial Hui Opera Troupe has enjoyed a good reputation in Macao and Japan. After a brief briefing in Beijing, the performance was praised by the vast audience and critics alike. The play is an all-round innovation of the art of Hui drama from content to form after the works of “The Seven Pools in the Pool”, “The Drunken Beauty”, “The White Snake”, “Linjiang Meeting” and so on. Its significance has exceeded the repertoire itself , Its experience should be carefully summarized. Under the new situation, how can the ancient operas exist and develop? In my opinion, in addition to other factors to be considered, combining with the characteristics of this opera, comprehensive innovation and fostering quality awareness should be top priorities. In recent years, there are a lot of new operas in ancient operas, but what can be preserved and how many new works are accepted by the audience? Many new works are ephemeral. The fundamental reason is that the selection of new operas can not match the operas Of the charm, characteristics, can not fully demonstrate its own unique artistic charm, so a good idea and the performance often leave. To this end, I very much admire the cultural leaders and planners in Anhui Province, in recent years for the capital audience sent two new repertoire: a Huangmei opera “Dream of Red Mansions”, a Hui drama “Lu Bu and Diao Chan.”