中国文字,因其各个单体自身之笔划,错综复杂,而单体与单体间之距离配搭,又变化綦多。所以在实用上,务求其妥帖匀整、调和自然,因而就产生了书法的研究。又因所用的工具不是硬性的钢笔,而是软性的毛笔(如狼毫、羊毫、鸡毫、鼠毫等),弹性既富,书写时用力的轻重、用笔的正侧、墨色的浓淡、蘸墨的多少,以及前后相连的气势、左欹右正的姿态,均足 Chinese characters, because of the strokes of each individual’s own, intricate, and the distance between the monomer and the monomer match, but also change much. Therefore, in practicality, in order to properly decontaminate and reconcile nature, calligraphy has been studied. And because the tools used are not rigid pen, but soft brush (such as wolf, sheep, chicken, rat, etc.), flexibility is both rich, hard and light when writing, with the positive side of the pen, ink shades, How much dipped in ink, as well as before and after the momentum, left right and right posture, are sufficient