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中国工笔画在唐宋时代、一直上溯到战国时期,是中国绘画的主流,自王维始及苏轼、米芾以降,开创水墨写意文人画,相对而言,工笔画受到冲击,到元明清三代,文人画成为主流。20世纪初,康有为、陈独秀、徐悲鸿等提出国画改良和美术革命论,试图用西方写实主义来改造中国画,批判文人画,达到重振院体画恢复工笔画主流地位的目的。时至20世纪末,中国工笔画在本世纪的确
In the Tang and Song dynasties, the Chinese painting strokes date back to the Warring States Period and is the mainstream of Chinese painting. Since Wang Weishi started and Su Shi and Mi Miao drove down to create ink and wash paintings, relatively speaking, the brushwork strokes were hit by Yuan Ming and Qing dynasties Three generations, literati painting become mainstream. At the beginning of the 20th century, Kang Youwei, Chen Duxiu and Xu Beihong proposed the theories of Chinese painting improvement and art revolution, tried to use western realism to transform Chinese painting and criticize the literati painting, so as to revive the body painting and restore the mainstream status of the painting. By the end of the twentieth century, Chinese painting was indeed in this century