《血溅八里台》一画,仅仅是作为黄遵宪先生活动年代的背景材料,展现在观众面前的。画的着眼点在于对一个时代的把握,通过聂士诚率部血溅八里台,来塑造一个可感知的、可触摸的时代。这样的目标无疑是过高的,加上生活和资料上的缺陷,给创作带来了不少困难。当永芳集团公司展览办公室为我寄来聂士诚肖像资料时,几乎已到了截稿时间。但他们为此 “Blood splashes Bali station” a painting, just as Huang Zunxian activities of the background material, displayed in front of the audience. The focus of the painting lies on the grasp of an era, through the Department of Blood Nirvana blood spattered Bali station, to create a perceptible, touchable era. Such a goal is undoubtedly too high. Coupled with the shortcomings in living and information, it has brought a lot of difficulties to the creation. When the exhibition hall of Yongfang Group sent me the portraits of Nie Shicheng, it almost reached the deadline for submission. But they do this