白头灶户低草房六月煎盐烈火旁走出门前炎日里偷闲一刻是乘凉在学界竞相离弃“思想性”、“艺术性”的两段式作家作品论,特别是离弃了狭隘的“思想性”评论之后,那些所谓关注民生疾苦的作品也渐次失去了往日的光彩。言必称“民生疾苦”、甚而鸡蛋里挑骨头似的“寤寐求之”固然不足为训,然而“民生疾苦”之篇什亦何可废也?可以这样说,中国文学史程上的大多数知识分子,由于秉承着儒家先贤“仁者爱人”的思想精髓,他们对于现实是并不隔膜,也远未冷漠的。更何况,民生疾苦何代无之?只要真挚地关切,并以较高的 White-fronted kitchen low grass in June next to the salt and pepper fire out in front of the sun is to sneak for a moment in the academic community ruthless abandon “thought ”, “artistic ” two-stage writer works theory, especially abandoned narrow After the “thought ” commentary, those so-called works of concern for the livelihood of the people gradually lost their luster. It must be said that “people’s livelihood and suffering,” and even picky in the egg “is not enough for the training,” however, However, Most of the intellectuals in the history of Chinese literature embark on the ideological essence of the Confucian sages, “benevolent lovers,” and they are not divorced from reality and far from indifferent. What’s more, what is the cause of people’s livelihood? Only sincerely concerned, and to a higher