看了《粉墨春秋》,出乎意外的好。先说大好,大好一在于,舞剧舞剧,我今晚终于看见了“剧”也看见了“舞”。李碧华写的故事其实并没有什么新鲜,新鲜的是我不知道是编剧还是导演将其处理得相当合理,不仅仅是删繁就简,而是肥瘦相宜。很好地解决了传统舞蹈理论中所谓“可舞性”问题。可见,不是剧情不可舞,还是编导有没有动脑筋。在这里戏剧结构处 Read the “pink ink”, surprisingly good. First of all, the great thing is that dance and ballet, I finally saw tonight “Opera ” also saw “Dance ”. In fact, Li Bihua wrote the story is nothing new, fresh is that I do not know is the screenwriter or director to handle it quite reasonable, not just cut the fan to Jane, but fat and affordable. Well solved the so-called “dance ” problem in the traditional dance theory. Can be seen, not the story can not be dance, or director has no brains. Here at the theater structure