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由第一小提琴卢卡斯(Lukas Hagen)、中提琴维罗尼卡(VeronikaHagen)、大提琴克莱门斯(Clemens Hagen)兄妹三人和第二小提琴莱纳·施密特(Rainer Schmidt)组成的哈根弦乐四重奏组合活跃于国际音乐舞台己20年有余,他们演绎的作品音色饱满而绵密,层次清晰而明朗,既保留了作品本身所具备的优雅格调,又增添一份轻盈和热烈……此次他们所演绎的贝多芬《弦乐四重奏》作品127及作品132音色、技巧及默契等方面更是达到了炉火纯青的地步,整首乐曲的平衡性与结构的紧密度表现得相当出色。作品127一开始以精力充沛、密集厚实的和弦给人强有力的沉重感,变奏时两把小提琴出现了竞争式的交替对话,由大提琴和小提琴轮流奏出三连音顿弓和持续的旋律,带来忧郁的气氛……而作品132一开始以悠远流长的慢引子拉开序幕,从引子带入的小提琴、大提琴竞相歌唱,节奏紧张激动,但变奏时通过轻响力度的交替和节奏的生动变化唤起了一种新的生命力,气氛随即变得即兴与轻松……
Composed of first violin Lukas Hagen, violin Veronika Hagen, clemens Hagen brothers and sisters and second violin Rainer Schmidt For more than 20 years, the orchestral quartet has been active in the international music scene. Their performance sound is full and dense with clear and clear tone, which not only retains the elegant style of the work itself, but also adds a light and warm ...... The music, technique and tacit understanding of Beethoven’s “string quartet” 127 and her works 132, which were interpreted by them, reached a more sinister stage. The balance of the whole piece of music and the compactness of the structure performed quite well. At the beginning of the work, 127, with energetic, dense and thick chords, gave a powerful sense of heavyness. During the variation, two violins appeared in a competitive alternation dialogue. The three-tone bow and continuous melody were performed alternately by the cello and the violin, Bringing a melancholy atmosphere ... and the beginning of the work 132 with a long history of slow prologue kicked off the violin from the lead into the violin competing singing rhythms rhythm exciting, but when the change by light and loud alternating and rhythmic Vivid change evokes a new vitality, the atmosphere then becomes improvised and relaxed ......