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扬弃私有财产的排他性后,社会财富的可分享性与人的生产性在高度融合中相互促进、共同提升——共产主义这种理想状况,在作为“真正自由的劳动”的艺术创造中有部分体现。对于这种审美经验现象,西方美学家有所揭示,而马克思审美分享主义的最大特点,是将其置于私有财产的运动和剩余价值的流转中考察,并以此构成其共产主义理论的经验基础。当下正在兴起的物联网经济初步展露出人的生产性与财富的可分享性相互促进、共同提升的可能性。顺应全球发展进步大势,十八届五中全会提出“共享发展”理念与“共享是中国特色社会主义的本质要求”命题,为推进马克思主义美学伟大复兴提供了坚实平台。
After abandoning the exclusivity of private property, the sharing of social wealth and the productiveness of human beings promote each other and enhance together in a high degree of integration - the ideal condition of communism is, in the artistic creation as “truly free labor” Part of the embodiment. For this kind of phenomenon of aesthetic experience, the Western esthetician has revealed that the most prominent characteristic of Marx’s aesthetic sharingism is to examine it in the movement of private property and the circulation of surplus value, and thus constitute the experience of its communist theory basis. The current emerging Internet of Things economy initially reveals the possibility that human productivity and wealth can be shared to promote and promote each other. Conforming to the general trend of global development and progress, the Fifth Plenary Session of the 18th CPC Central Committee put forward the proposition that “sharing development” and “sharing are the essential requirements of socialism with Chinese characteristics.” This provides a solid platform for promoting the great rejuvenation of Marxist aesthetics.