如果说,中国封建社会温床上培育出来的中国画可以作为一种文化类型的标志,那末,它盛衰迁变的久远历史便恰好标示出中国封建文化的整合特征。同样,它迈向现代的艰难多蹇命运,与中国社会近代以来的曲折旅程也存在着显而易见的同构关系。 “中国画”的模糊概念,蕴含着民族、地域、历史乃至文化的特征。历代画家数千年的经验累积,使中 If the Chinese painting nurtured on the hotbed of feudal society in China can be used as a mark of cultural type, the long history of its ups and downs will mark the integration characteristics of Chinese feudal culture. In the same way, it has embarked on a difficult journey in the modern era and has an obvious isomorphic relationship with the tortuous journey of Chinese society since the modern era. The vague concept of “Chinese painting” implies the characteristics of nation, region, history and even culture. Over the past thousands of years of experience accumulated by artists