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文人画的初现,最早可追溯至汉代。在经历了两多千年的发展与变迁,文人画从初现端倪到最后的自成一家,它始终用“以思、以心、以情、以理、以趣、以意、以文、以诗、以书入画,遗形写神,以情造文”的姿态贯穿于中国繁华的艺术史之中。众学者对于文人画各个方面的研究成果十分丰富,而“意境”作为它的一个研究方向也被做了各种各样的探析。本文将选取文人画代表人物之一——明四家中的唐寅作为对象,从他的生平及绘画风格等对文人画的意境美进行浅谈及探析。
The first appearance of literati painting can be traced back to the Han Dynasty. After more than two thousand years of development and change, the literati painting has become the last to be self-contained. It always uses “thinking, heart, affection, reason, interest, meaning, writing and poem , The book into the painting, the legacy of writing God, love to create the text ”gesture throughout China’s bustling art history. Scholarly scholars have rich research results in all aspects of literati painting, and “artistic conception” has been analyzed in various ways as one of its research directions. This article chooses one of the representative figures of literati painting, Tang Yin in Ming Family, as an object, and discusses the artistic conception of literati painting from his life and style of painting.