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自1978年改革开放以来,我国的合唱指挥理论开始逐步出现,经由吸收外来文化为主,自由编辑文章为辅的形式有了发展雏形。1990年开始至今,我国的合唱指挥方向的理论研究有了突飞猛进的进步,大量学者通过潜心研究,出现了大量合唱指挥理论方向的书籍,刊物,以及具有中国特色的合唱曲目。在我国合唱事业发展欣欣向荣的同时,也出现了一些有待解决的问题和矛盾。本文立足1980年以来的合唱指挥著作,刊物,书籍,学术论文,以及高等艺术院校合唱团的排练案头工作研究进行了总结梳理归纳,用自己的一己之力为合唱事业的可持续发展贡献自己的力量。
Since the reform and opening up in 1978, the theory of chorus command in our country began to emerge step by step. With the help of foreign cultures, free editorial articles supplemented the form of embryonic development. Since the beginning of 1990, the theoretical research on the direction of chorus command in our country has progressed by leaps and bounds. A large number of scholars have devoted themselves to researching and producing a large number of books, publications and choral tracks with Chinese characteristics. While the chorus career in our country thrives, some problems and contradictions have emerged. Based on the choreographic work, publications, books, academic dissertations and rehearsal desk work of chorus of high art colleges and universities since 1980, this article summarizes and summarizes the work done by chorus, and contributes to the sustainable development of chorus by one’s own efforts the power of.