盛夏的威尼斯,阳光炙热,游人如织。从火辣辣的户外躲进绿园城堡阴凉的主展厅,在约翰·亚康法的三频影像《迷魂海》前坐下,很容易让人想起某订阅号的那句著名口号:“世界在下沉,我们却在狂欢”。事实上,威尼斯确实在下沉,由于全球气候变暖和旅游业所留下的人为垃圾,威尼斯正在被持续上升的潟湖水所侵蚀。《迷魂海》中的绝大部分海洋视频素材取自不同时期质量各异的海洋纪录片,结合受赫尔曼·梅尔维尔的《白鲸记》和希思科特·威廉的《鲸国》启发所拍摄的虚构片段,亚康 Summer in Venice, the sun is hot, visitors. Hiding in the cool main hall of the Lushchengyong castle from the hot and spicy outdoors, it is easy to recall the famous slogan of a subscription number, sitting in front of John Yakoupha’s tri-band “Ecstasy”: “The World In sinking, we are in carnival. ” In fact, Venice is indeed sinking and Venice is being eroded by the rising lagoon water due to global warming and human waste left by tourism. The vast majority of marine footage in Ecstasy Sea is taken from marine documentaries of varying quality at different times, inspired by Herman Melville’s Moby Dick and Heathcut William’s Whale State Fictional footage shot by Yakang