论文部分内容阅读
当下,我国的美术馆行业发展迅速,国有力量、民间经营、民间藏家、抑或是企业投资,总之,一座座形态各异的艺术场馆争先恐后的出现在大众视野。在经济全球化以及文化区域集中化这两种力量的共同作用下,围绕文化传承和文化个性等主题发展的美术馆在呈现出越来越多样的姿态,但是,各类美术馆的落成并不代表拥有了合格的馆藏和学术研究能力,更不意味着其文化传播、美育功能的实现。
At present, the art galleries in our country are developing rapidly. State-owned power, non-governmental businesses, non-governmental collectors, or enterprises are investing. In short, art galleries with different forms occupy the forefront of public opinion. Under the joint action of economic globalization and the centralized regionalization of culture, the art galleries focusing on the theme of cultural inheritance and cultural individuality are showing more and more diverse attitudes. However, the completion of various art galleries is not Representatives have a qualified collection and academic research capabilities, but does not mean that its cultural transmission, the realization of aesthetic functions.