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本文建立在前人研究的基础上,弥补目前戏曲插图深入研究的欠缺。以泰昌吴兴刻本《牡丹亭》插图为例,讨论戏曲插图与剧本之间的联系。主要观点有:插图基本表现了剧本的主要内容和主题思想,并非完全按照剧本内容绘刻,增加了剧本中没有的植物、人物和山水园林等,体现出更深刻的含义,表现出插图作者对剧本的理解和表达。
This article is based on the previous studies, to make up for the lack of in-depth study of the current drama illustrations. Taking Taichang Wuxing’s engraved illustration of The Peony Pavilion as an example, we discuss the connection between opera illustrations and scripts. The main points are as follows: Illustrations basically show the main content of the script and theme ideas, not in full accordance with the contents of the script, add the script does not have plants, landscapes and landscape gardens, reflecting a deeper meaning, showing the illustrations of the author Script understanding and expression.