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采用“数控”的方式对音符的数量或时值加以限定,既保证了音值关系的逻辑性,又体现了简明的节奏组织原则,赋予演奏者对音值关系全新理解的自由。人们也许很难觉察到隐藏在音响背后严密的数理逻辑,但是数控节奏却自然地合乎人们对秩序的潜在需求。通过对高为杰先生现代音乐作品中数控节奏横向周期性应用的形态分析,可以发现对节奏实行数列控制显然促进了音乐运动的内在必然性。
The number or duration of the notes is limited by means of “numerical control”, which not only guarantees the logic of the sound value relationship but also reflects the principle of concise rhythm organization and gives the player the freedom to completely understand the sound value relationship. It may be hard to detect the rigor of mathematical logic behind the audio, but the rhythm of the NC naturally matches the potential demand for order. Through the morphological analysis of the laterally periodic application of NC rhythm in modern music by GAO Wei-jie, it can be found that the numerical control of rhythm obviously promotes the inherent inevitability of music movement.