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甚至是那些自称对理查·施特劳斯的音乐缺乏共鸣之人士的最后一道心理防线也会在《最后四首歌》面前被不经意地冲垮。作于1946至1948年间,作曲家那时历经了漫长而又骚动的职业生涯,又亲眼目睹了战争给自己所处的社会及文化遗产带来的毁灭性的破坏,这些歌曲也由此代表了一位伟人所写的德国浪漫主义艺术歌曲宝库中的天鹅之作。精挑细选的象征死亡与事物终结的诗歌使听者体会到生命即将消亡的意境。
Even the last psychological defense of those who claim to have had a lack of resonance with Richard Strauss’s music is inadvertently dashed before the Last Four Songs. For the period from 1946 to 1948, the composers, after a long and turbulent career, witnessed the destructive destruction of the social and cultural heritage that the war brought to their life. These songs also represented Swan made by a great man in the treasure trove of German romantic art songs. A carefully selected symbol of death and the end of the poetry so that the listener experience the demise of life is about the mood.