论文部分内容阅读
七、笔墨用笔要有笔法。笔法,是指用笔的方法与法度。中国画的笔法变化,来源于书法,每一笔都包含着起、行、收三个过程。起笔藏锋,收笔回锋;无往不收,无垂不缩。起笔与收笔前后呼应,运行过程中提、按、顿、挫一波三折。画花时笔笔相生,笔意相连;写叶时轻重疾缓,浓淡疏密。笔法运用得当,这不仅可以增加机趣,而且由于内因的统一制约,最终可形成统一的笔调——即笔法的个人风格,或老辣雄浑、或流畅舒展。这种用笔的个性化特质,使中国花鸟画的用笔从一种纯技术性的行为,上升为可供欣赏的艺
Seven, pen and ink to be written. Stroke, refers to the pen method and the law. Chinese calligraphy changes, comes from the calligraphy, each one contains the beginning, the line, received three processes. Since the possession of the front, close back to the front; never received, no vertical does not shrink. Erased up and shut down after the closing pen, the operation of the process, press, Dayton, frustrated twists and turns. When painting flowers, the pen and the pen were born, pen and splinter; The proper use of brushstrokes not only increases the fun but also leads to the formation of a unified style due to the unification of the internal factors - that is, the personal style of the brushwork or the vigorous or smooth stretching of the old. This personalized character of the pen makes Chinese pen and flower paintings use a pen from a purely technical behavior, can be appreciated for the art