在余华小说《活着》与张艺谋电影《活着》中,对政治的修辞功能采取了不同的叙事策略,从而使小说与电影呈现不同的叙事风貌。本文试图运用修辞叙事学的有关原理,对作家/导演、主人公/主角、读者/观众与政治修辞功能之间的关系进行对比性解读。 In Yu Hua’s novel Alive and Zhang Yimou’s movie Alive, different narrative strategies are applied to the rhetorical function of politics, so that novels and films show different narrative styles. This paper attempts to use the principles of rhetoric narratology to comparatively interpret the relationship between writers / directors, protagonists / protagonists, readers / spectators and rhetorical functions of politics.