“材料戏剧”是集“说”、“演”、“做”三大戏路于一体,并依靠各自的长处来节省演出资源,达到最理想的所要表达的效果的戏剧形式。传统的戏剧材料有三样:剧本、演员和舞台。主流戏剧往往强调再现真实,对生活中真实的人物进行模仿。基于戏剧在真实性方面相对于电影艺术来说还是有自己的局限性,既然如此,戏剧还有什么必须存在的意义?本文以张广天导演提倡的戏剧革命首先应该革材料的命引出材料戏剧出现的必然性和必要性。作为中国戏剧的新生一代,我们应该始终允许各种戏剧形式和改革的出现,坚持戏剧的多元化发展。 Material Drama is a set of “say ”, “play ”, “do ” three operas in one, and rely on their strengths to save performance resources, to achieve the desired effect of the desired expression Drama form. There are three types of traditional theater materials: script, actor, and stage. Mainstream drama often emphasizes the reproduction of real life, real characters to imitate. Based on the fact that drama has its own limitations in terms of authenticity as compared with cinematic art, what is the essential meaning of drama? In this paper, the drama revolution advocated by director Zhang Guangtian should first lead the emergence of material drama Necessity and necessity. As a new generation of Chinese drama, we should always allow various forms of drama and the emergence of reforms, insisting on the diversified development of drama.