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符号学的优势在米特里慈父般的怀抱中,现代电影理论的构想是用一个词命名的:符号学。米特里对语言和电影的关系的冗长沉思,加上阿尔贝·拉费的《电影逻辑学》和60年代初期的其他一些研究,显然已把对这一论题的绅士风度思考的果实榨干。被提倡的东西、在兴起的东西,似乎是一种由科学激发起来的对所谓电影语言的考察。由叶尔姆斯列夫、本维尼斯特和马丁内的学说所推进、由人类学家克洛德·列维-斯特劳斯的运用而得以扩展的结构主义语言学,为这种考察提供了严密性和模式。
The Advantages of Semiotics In his fatherly embrace, the conception of modern film theory is named after one word: semiotics. Mithril’s lengthy contemplation of the relationship between language and film, coupled with Albert Laviv’s “The Logic of Films,” and other studies of the early 1960s, apparently drained the fruit of the gentlemanly thought of the subject . What is being advocated and what is emerging seems to be an examination of the so-called film language inspired by science. The structuralist linguistics that was extended by the use of the anthropologist Claude Levi-Strauss, advanced by the teachings of Yermslev, Benveniste and Martin, Provides rigor and pattern.