板胡在豫剧乐队中称之为“主弦”,是乐队中的领奏乐器,是乐队的“灵魂人物”,在乐队中有着举足轻重的地位。板胡的音色清脆明亮、粗犷奔放,演奏技巧丰富、风格多样,具有很强的艺术表现力和鲜明的个性。老一辈表演艺术家在长期的艺术实践中,继承传统,大胆创新,吸收各个艺术门类的精髓,根据自身的声腔条件,逐渐形成自己的艺术风格,即艺术流派。随着豫剧各个流派的形成,为每个流派伴奏的板胡演奏风格也随之凸现出来,它与各个流派的演唱风格和谐统一,相得益彰,形成完整的统一体。常派板胡的粗犷奔放;陈派的柔美细腻;崔派的低回悲切;马派的清脆刚劲;阎派的清丽秀美……它们风格迥异,特色鲜明,给人留下了极深的印象。即使不听艺术家的唱腔,过门一拉,人们便能很清楚地分辨出是哪个艺术家的戏、哪个团的戏,行家甚至能道出演奏者的姓 Banhu in the opera band called “the main string” is the band’s lead instrument, is the band’s “soul”, in the band has a pivotal position. Banhu sound crisp bright, bold and unrestrained, playing skills, diverse styles, with strong artistic expression and distinct personality. In the long-term artistic practice, older generation performing artists inherit the tradition, make bold innovations, absorb the essence of various art categories, and gradually form their own artistic style, that is, art schools according to their own conditions. With the formation of various genres of opera, Banhu’s performance style accompanies each genre also emerges. It harmonizes with each genre’s singing style to form a complete unity. Often sent Banhu rough wild; Chen sent soft and delicate; Cui sent back sadness; horse sentinel vigorous; Yan sent beautiful and beautiful ... ... they are different styles, distinctive features, leaving a very deep impression. Even if you do not listen to the artist’s singing, you can clearly tell which artist’s play, which group of plays, and even the performer can even tell the player’s surname