论文部分内容阅读
我认为淮剧表达荣华富贵的欲望,比起其他地方戏来显得更加强烈,这也恰恰说明苏北比起其他地方遭受的灾难更加严重,这个地方的民众更加需要精神上的慰藉。一“苦……啊…………”这“苦”字如千钧之重喷薄而出,在一百多年前大清舞台的上空划了一道弧线,“哇”地一声随着“苦”的惯性滑翔起来,带着泪沾着雨在半空飞旋不散。当一百多年前淮安清江浦的戏台上,赵五娘一身素衣,头扎白布,怀抱琵琶,满脸凄苦地站在自己丈夫却又是新科状元、相府快婿的蔡伯喈的书房里,哧啦啦地一声撕心裂肺的哭喊,用“大悲
I think Huai opera’s desire to express its glory and wealth is more intense than other local operas. This shows precisely why the disaster in northern Jiangsu is more serious than in other places, and the people in this place need more spiritual comfort. A ”bitter ...... ah ............“ ”This “ bitter ”word like a superb heavy jet out of thin, over a hundred years ago, over the stage of the Qing drew an arc, “ wow ”As soon as the “ bitter ”inertia gliding up, with tears stained with rain in mid-air flying around. When a hundred years ago Huaian Qingjiangpu stage, Zhao Wuniang a full dress, head tie white cloth, embrace pipa, his face bitterly to her husband, but also a new champion, phase House fast son Cai Bin’s study , Rip la la cry piercing cry, with "great compassion