“清初之画风,直接明季,毫无变动……其最足以代表清朝之画派而风行天下,且与清朝相始终者,实为软媚枯淡之吴派。”①“吴门画派”在明代中叶的强势崛起,遂使苏州逐渐成为全国的绘画中心。明清两代,苏州的经济与文化一直处于全国领先的地位,因而在清代绘画地理格局的态势中,江南绘画的重心地位依然没有被动摇。然而,“历 ”The style of the early Qing Dynasty, the direct seasons, there is no change ... its most representative of the Qing Dynasty School of painting and popular in the world, and with the Qing Dynasty phase, it is soft and dry.“ School of painting ”in the mid-Ming Dynasty strong rise, thus gradually becoming Suzhou’s painting center in Suzhou. In the Ming and Qing dynasties, the economy and culture of Suzhou have always been in a leading position in the country. Therefore, in the situation of the geographical pattern of Qing Dynasty paintings, the center of gravity of Jiangnan painting still remains unshaken. However, "calendar