0不知道为什么,每次看到“芦苇岸”这个名字,我都会不由自主地想起当年海子在昌平的好友苇岸。尽管与芦苇岸未有一面之缘,但这两天因为特殊的因由一直在读他的诗。我已经厌倦再谈什么“70后”了,这招致了一些不必要的麻烦。诗歌永远是个体的事情,我只想安心静气地谈谈芦苇岸以及我对他诗歌的斑驳观感。我喜欢诗歌中的“夜晚”胜过现实中的“灿烂”正午。我也更愿意接受一种“抒情的苦味”。1我暗自喜欢芦苇岸的近些年的诗歌写作姿势,这甚至在我看来在当下的诗歌话语场中有着不言自明的重要性。2006年开始芦苇岸不再向 0 Do not know why, every time I see the name “reed shore”, I will involuntarily remembered the friend of the sea in Changping reed shore. Although not associated with the reed shore, but these days because of special reasons has been reading his poem. I am tired of talking about what “70 after ”, which led to some unnecessary trouble. Poetry is always an individual thing, and I just want to talk calmly about the shore of Reed and my mottling of his poetry. I like the “night” in poetry better than the real “brilliant” noon. I also prefer to accept a “lyric bitter taste ”. 1 I secretly like poetry writing poses in recent years, like Reed Shore, and even in my opinion there is an obvious self-evident importance in the field of contemporary discourse of poetry. Reed banks no longer begin in 2006