天空,从很早开始就作为一种象征进入到了各种艺术类别的想象当中。在超现实主义的画作里,天空成为了圆礼帽男人的面孔;在激流派的实验改造下,天空覆盖了例如水罐这样日常用品的表面;在当代新思潮的公共艺术里,天空成为了飘洒下雪白诗句的深蓝帷幕。人类,立足大地,仰望星空,对于天空,蔚蓝,宇宙的想象和对未知世界的好奇是永恒的。这种对于天际的凝视,探索,理解,敬畏是不受制于语言,地域,或者是时间的。从亚里士多德到海德格尔,从梅里艾到卡梅隆,天空这一 The sky, from a very early age, has entered the imagination of various art genres as a symbol. In the surrealist paintings, the sky became the face of a man in a round-robe; the sky covered the surface of everyday objects, such as jugs, under the experimental transformation of radicalism; in the public art of the new modern trend, the sky became drenched Dark blue curtain of snow white verse. Human beings, based on the earth, look to the sky, for the sky, blue, cosmic imagination and curiosity of the unknown world is eternal. This gaze, exploration, understanding, and awe of the sky are not controlled by language, geography, or time. From Aristotle to Heidegger, from Merial to Cameron, the sky