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本文以锺嵘对陶渊明的评论为核心,并从中古时代的家族史和选官制度出发,对锺嵘品评陶渊明涉及的文学与非文学因素加以论析,指出锺嵘《诗品》“A源于B,B源于C,C源于D”式的理论表述,正是着眼于古典诗人的互文性建构而对其所进行的互文性解构。如果把萧梁以前我国的五言诗发展史视为一座颇具历史纵深的结构复杂的巨型建筑的话,那么,锺嵘《诗品》所做的工作就是绘出了这座巨型建筑的结构图。尽管当时的诗人们遗留下来的是一些作品的断壁残垣和吉光片羽,但在互文性的观照下,我们仍能看清锺嵘的意旨和《诗品》的妙理。而由此切入《诗品》那迷人的诗学世界,我们对锺嵘那极富天才性的遥遥领先于全人类的理论创造无疑将产生全新的认识。本文是对锺嵘《诗品》“推源溯流”法的全新解说。
This article takes Zhong Rong’s comment on Tao Yuanming as the core, and analyzes the literary and non-literary factors involved in Zhong Rong’s evaluation of Tao Yuanming from the family history and the system of election officials in medieval times. It points out that Zhong Rong’s “Shi Pin” “A From the B, B from C, C from D ”type of theoretical expression, it is the focus on the construction of intertextuality of classical poets and their intertextual deconstruction. If we consider Xiao Liang’s history of the development of five-character poetry in our country as a giant structure with a complicated structure and historical depth, what Zhong Rong’s “Shi Pin” did is to draw the structure of this giant building. Although the poets at the time left behind the ruins of the works and the jinguang film feathers, we can still see the essence of Chungrong and the wisdom of “poetry” under the intertextuality. From this into the fascinating poetic world of “poetry,” we will undoubtedly have a completely new understanding of Zhong Rong’s extremely talented and far ahead theoretical creation of mankind. This article is a new explanation of Zhong Rong’s “Poems and Articles” and “Pro-Traction” methods.