本文依照姚一苇晚年所透露的《红鼻子》的创作心理背景,在与姚一苇戏剧作品的相互印证中探讨姚一苇戏剧创作的心理定式和戏剧作品的深层结构:政治环境的压抑致使姚一苇“开始思索人的问题”,思考当代台湾人的“处境”,透过人的危机感,揭示人在困境中的失落和异化,并以人的“寻找”作为对抗线索,从关注人、关怀人、张扬人的高贵,延伸出人对环境的抗争,对命运的挑战,对自我的超越。 This article, based on the creative psychology background of “Red Nose” revealed by Yao Yixue in his later years, explores the psychological structure and the deep structure of drama in Yao Yiwei’s drama creation with the mutual proof of Yao Ywei’s dramatic works: the repression of political environment Yao Yiwei began to ponder the question of man and thought about the “situation” of contemporary Taiwanese people. Through his sense of crisis, he revealed the loss and alienation of people in the difficult situation. Taking people’s “search” as the clue, People, caring people, publicity of noble people, extending the struggle against the environment, the challenge of fate, self-surpassing.