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2004年12月,第二届广州国际纪录片大会召开,首次引入面对面的市场交易和预案推介模式,一时间市场成为整个大会乃至国内纪录片界的共同语境和话题。进入新世纪以来,中国纪录片在创作观念和实践上也开始转型,集中体现为题材拓展和形态改进。目前中国纪录片在题材选取上可以概括为以下三类:社会人文类、自然地理类和历史文献类。
In December 2004, the second session of the Guangzhou International Documentary Conference was held. For the first time, face-to-face market transactions and pre-plan promotion models were introduced. For a time, the market became the common context and topic for the entire conference and even the domestic documentary industry. Since the beginning of the new century, Chinese documentaries have also begun to transform themselves in their creative concepts and practices, focusing on theme development and morphological improvement. At present, China’s documentary can be summarized in the following three categories of topics: social humanities, natural geography and historical documents.