中国明代戏曲理论家王骥德云:“剧戏之道,出之贵实,而用之贵虚.”(《曲律·杂论》)他从总体上揭示了中国传统戏曲艺术规律.传统戏曲在空舞台上以虚拟为主,虚实相生的表演体系,也是遵循这种“剧戏之道”的.这种表演体系之所以得以成立——得到表演者和欣赏者双方的认可,是有着坚实的哲学依据的.我们深深地佩服中华古人在创造和发展戏曲文化的历史过程中,表现出的睿智的哲学头脑,和追求戏剧之道的实践精神. Wang Ji-de-yun, a Chinese opera theorist in the Ming Dynasty, disclosed the general law of the art of Chinese traditional opera in “The Way of the Opera, Expensive and Precious.” (“ On the empty stage, the performance system based on the virtual reality and the reality based on the actual situation also follows this kind of ”drama theory." The performance system was established - it is recognized by both performers and audiences as having a solid Philosophical basis.We deeply admire the Chinese ancient people in the history of the creation and development of opera culture, demonstrated by the wise philosophical mind, and the pursuit of the spirit of the practice of the road.