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中华民族先民的审美活动并不单独存在,而是与物质实践活动、精神实践活动混沌一体的。先民的审美活动从附庸到独立,经过了一个漫长的过程。然而,就是在先民尚未完全独立而走向独立的审美实践中,也开始逐渐萌芽着中华民族独具特色的审美心理结构。假如从先秦诗文来探索和考察中华民族原始审美心理结构的蛛丝马迹,应注意先民审美实践的以下几个方面:逐渐形成偏重于抒情的审美习惯;简约、质朴而隽永、绵长的审美风格;温柔中和的审美心态;注重政教作用、追求美善合一的审美趋向;“赋比兴”的审美旨趣。所有这一切方面(或因素)相融汇相化合,或许可以呈现出当时处于雏形状态的中华民族审美心理结构的面貌。
The aesthetic activities of the ancestors of the Chinese nation do not exist alone, but are chaotic with the practice of material practice and spiritual practice. Aesthetic activities of the ancestors from the dependency to independence, after a long process. However, even in the aesthetic practice where the ancestors were not completely independent and went toward independence, they began to gradually emerge the unique aesthetic psychological structure of the Chinese nation. If we try to explore and investigate the clues of the primitive aesthetic psychology structure of the Chinese nation from the pre-Qin poetry, we should pay attention to the following aspects of the aesthetic practice of the ancestors: gradually forming the aesthetic habit that focuses on the lyricism; the simple, simple, meaningful and lingering aesthetic style; Gentle and neutral aesthetic attitude; pay attention to the role of politics, the pursuit of beauty and beauty of the aesthetic trend; “Fu Bi Xing ” aesthetic taste. All these aspects (or factors) can be combined together, perhaps showing the appearance of the aesthetic psychology structure of the Chinese nation in its embryonic form.