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苏轼之名,冠绝中国古代文学史。他才高名世却不贪图名利,对于名与利的含义和价值更有一套独特的理解。抛开所处时代与文化环境的差异不论,他与其他文化人或艺术家的根本区别在哪里?他对待功名究竟是何种态度?在他的心目中,什么样的生活姿态才最值得羡慕?本文试通过分析《八声甘州·寄参寥子》一词,在领会苏轼创作才华的同时,更进一步地了解其文化人格与心理,了解他对于“自见于后世”⑴的真实看法。
Su Shi’s name, the highest Chinese history of ancient literature. He did not aspire to fame and fortune in his high name, but he also had a unique understanding of the meaning and value of naming and profit. Regardless of the differences between the times and the cultural environment, what is the fundamental difference between him and other cultural people or artists? What attitude does he regard the fame? In what is the most enviable attitude in his mind? This article attempts to understand the cultural personality and psychology of Su Shi through comprehension of the term “eight voices of Ganzhou · Senate” in understanding the creative talent of Su Shi and understand his true view of “self-seen later” (1) .