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在 2 0世纪 ,古代中国关于艺术及寄托在艺术中的文人情怀的谈论获得了“美学”的名称 ,这个学科的问题和提问方式、取向和方法都发生了根本的变化。西方美学理论的影响和中国传统美学的更新集中表现为功利主义和非功利主义美学理论的构建与论争 ,两者互补又竞争。新的世纪里 ,中国美学有待创新。这种创新将更多地与西方美学及文化展开对话 ;也将在创新中重建有中国特色的马克思主义美学
In the 20th century, the talk of ancient China about the sentiments of the arts and the sustenance in the arts won the name of “aesthetics.” The problems, questions, ways, orientations and methods of this subject have undergone fundamental changes. The influence of Western aesthetics theory and the renewal of Chinese traditional aesthetics are concentrated on the construction and argument of the utilitarian and non-utilitarian aesthetics theories, which complement and compete with each other. In the new century, Chinese aesthetics needs to be innovated. This kind of innovation will expand dialogue with Western aesthetics and culture more and will also rebuild Marxist aesthetics with Chinese characteristics in innovation