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王秋凡(以下简称秋凡):对于历史苦难事件的记忆和呈现,目前是国际学界的前沿热点,并且已经形成了一部分理论。如何呈现历史,具体来说如何通过绘画呈现历史,尤其是关于历史记忆应该如何呈现,至今还几乎是零探讨。请问您是如何想到要用绘画来描述那段历史的?王希奇(以下简称希奇):应该是2010年吧,我看到一幅二战后日侨回国的老照片,照片上有一个怀抱骨
Wang Qiufan (hereinafter referred to as Qiu Fan): The memory and presentation of historical misery is currently at the forefront of international scholarship and has formed a part of the theory. How to present history, specifically how to present history through painting, and especially how historical memories should be presented, is still almost zero discussion. How do you think of using painting to describe that period of history? Wang Xiji (hereinafter referred to as singular): It should be in 2010, I saw an old photo of the returned overseas Chinese after World War II, the photo has a hugged