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《我哭泣,为我的命运》(Piangero la sorte mia)是德国作曲家乔治·弗里德里希·亨德尔(Georg Fredrich Handel,1685-1759)的英雄题材歌剧《朱利乌斯·凯撒》中女主人公克里帕特娜最具代表性的咏叹调,这首作品现了亨德尔高超的作曲技法和独特的创造力,完美的诠释了巴洛克时期的音乐风格。本文主要从演唱中对声音的连贯性的要求入手,通过对开口音的演唱、大跳音程、舌头的松弛度等影响声音连贯性的因素进行演唱的分析和处理,以自身的演唱经验与理论知识的支撑配合,分析归纳演唱技巧,达到技术性与艺术性完美的结合。
“Piangero la sorte mia” is in the heroic opera “Julius Caesar” of the German composer Georg Fredrich Handel (1685-1759) The most representative aria of the heroine Kripatna, this first work is a combination of Handel’s superb composition techniques and unique creativity, the perfect interpretation of the Baroque music style. This article mainly from the singing of the continuity of the sound of the request to start, through the singing of the sound of the mouth, the big jump soundtrack, tongue slackness and other factors that affect the sound continuity of the singing analysis and processing to their own singing experience and theory With the support of knowledge, analysis and induction singing skills, to achieve the perfect combination of technical and artistic.