徐悲鸿并非山水画家,他自己也不否认这一点。①甚至对山水画抱有某种消极态度,但徐悲鸿的艺术现以及他推行的学院教育在相当程度上影响着山水画的发展。我们深入研究徐悲鸿首先不能忽视对历史情景的了解。清末民初的中国画坛,“四王”画派处于发展的末路,“五四”新文 Xu Beihong is not a landscape painter, and he himself does not deny it. ① There is even a negative attitude toward landscape painting, but Xu Beihong’s artistic practice and the college education he has carried out have influenced the development of landscape painting to a considerable extent. In the first place, we can not ignore Xu’s understanding of historical scenarios. Chinese painting at the end of the Qing Dynasty and the beginning of the Republic of China, the “Four Kings” painting school at the end of its development, “May Fourth” new article