一 1931年前后,我已经渐渐不能满足于阅读儿童读物,开始读旧小说和新文学作品,不再订阅《小朋友》,订阅《现代》、《文学》了。除了还不太懂但又爱读的鲁迅,读得最多的要算张天翼。《大林和小林》以后,是《鬼土日记》、《包氏父子》等等,最后是《洋泾浜奇侠》。喜欢他的幽默感,流畅和比较单纯的风格。但又渐渐地感到不满足,好像总少点什么,和叶永蓁的《小小十年》比较,就觉得冷漠了些,也知道他是怀着爱和憎在写,还是有强烈的、鲜明的爱和憎的,可为什么却又让人感觉冷漠呢。这时候,就很渴望有个批评家来解答了。 Before and after 1931, I was gradually unable to be content with reading children’s books, reading old novels and new literary works, no longer subscribing to “children” and subscribing to “modern” and “literature.” In addition to still do not understand but love to read Lu Xun, the most read to be Zhang Tianyi. “Dalin and Kobayashi” later, is “Diou Di Ji”, “Father and son” and so on, and finally “Pidgeon.” Like his sense of humor, smooth and simple style. But gradually feel unsatisfied, as if less total, and Ye Yongkang’s “little ten years”, I feel indifferent, but also know that he was written with love and hate, there is a strong, distinct Love and hate, but why it makes people feel indifferent yet. At this time, it is very eager to have a critic to answer.