材质不应做完了雕塑才来选择材质。对材质的要求实际上左右着创作、习作的全过程。后期的翻制和制作以及彷制只是对材质感的完善和完成。具有铸造感的塑造却“选择”了木雕效果,石雕感的塑造“选择”了铸造效果,或者都反过来,实为不伦不类。弄不好就化神奇为腐朽了。材质感为什么不揉进创作中去呢? Material should not be done before the sculpture to choose the material. The material requirements actually affect the whole process of writing and writing. The latter part of the reproduction and production and imitation is just the material texture improvement and completion. Casting sense of the shape but “choose” the effect of wood carving, sculpture of the stone shape “choose” the casting effect, or vice versa, it is really neither fish nor do. Too bad to change the magic as decadent. Material texture why not rub into the creation go?