回视上个世纪后期中国戏剧领域的种种思潮,80年代随改革开放兴起的前卫或先锋探索浪潮很容易进入我们的研究视野。但不知是怎么回事,人们反视该问题时在话剧和戏曲之间往往流露出某种轻重失衡的心态。也许是文化“他者”殖民话语暗中作祟,自20世纪初文化“新”、“旧”争战帷幕在吾邦吾土拉开,话剧之“洋”(舶来)和戏曲之“土”(土 Looking back on the various ideological trends in the field of Chinese drama in the latter part of the last century, the avant-garde or avant-garde exploration wave that emerged with the reform and opening up in the 1980s can easily enter our research field of vision. But I do not know what is going on. People often show some attitude of imbalance between drama and drama when they oppose the problem. Perhaps the cultural “other” colonial discourse secretly mischief, since the beginning of the twentieth Century culture “new” and “old” war curtain opened in my state, drama “ocean” (foreign) and opera “soil” (soil