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不可否认,我们在戏剧优劣与戏剧本体的理解上正渐渐丧失了最基本的认识与立场,戏剧的根本要求是什么?什么样的戏才是好戏?这些正成为困扰我们戏剧工作者的迫切需要解决的问题。本文着重分析了何为“有戏”?一出戏从哪里开始?如何在细微处体现戏曲的精髓?游离与戏耍对一出戏有何作用?以及何为“好戏”?“好戏”是否等同于“有戏”等问题,从而阐明了对戏剧性与思想性的基本认识与对其关系的一种理解。
It is undeniable that we are gradually losing our basic knowledge and position in understanding the pros and cons of theater and drama, what are the fundamental requirements of drama, and what kind of drama is a good show? These are becoming troublesome to our theater workers Urgent problems to be solved. This article focuses on the analysis of what is meant by “play”, where does the play start, how does it reflect the essence of the drama nuanced, how does play and play play a part in a play, and what is a good show, Equivalent to “play” and other issues, thus clarifying the basic understanding of dramatic and ideological and their understanding of an understanding.