本文旨在论析加拿大华裔作家张翎最近五年来小说创作在艺术上引人注目的探索和变化。张翎在叙事结构上开始从以往时间上的纵深,即历史与现在的穿梭往返转变为空间、地理上的同时并置,在叙述形式上引入“它-叙述”的叙述模式,丰富叙述的艺术表现力。张翎作品的世界性由此在她新的艺术探索中得到深化,小说中的人物性格冲突体现了作家的文化翻译以及对文化对话的深沉思考。 This article aims to analyze the dramatic exploration and change in the art of Canadian novels by Chinese-American writer Zhang Ling in the recent five years. Zhang Ling began to change the depth of his narrative structure from the past time, that is, the shuttle between history and present was transformed into space, and the geography was juxtaposed at the same time. Zhang Ling introduced the narrative mode of "it-narration Artistic expression As a result, the worldliness of Zhang Ling’s works has been deepened in her exploration of new art. The character conflict in her novels embodies the writer’s cultural translation and deep thinking on cultural dialogue.